Sunday, September 27, 2009
Saturday, September 19, 2009
In Class Exercise
Design Summarize and Bibliography
Metal Work - Japanese Sword
Types of Blade
Parts of the Blade
Types of Blade Cross-Section
Types of Curve:
Types of Blade:
Types of Tang:
Types of Butt:
Types of Filemark:
Types of Point:
Types of grain in the Ji:
Features of the Boshi:
Bibliography:
Art Deco Sculpture & Metalware
Metalware Art
Gold Smiths' Art
WARRIORS OF THE HIMALAYAS
Greek Gold, from the treasure rooms of the hermitage
Hindu Arms and Rituals, Arms and Armour from India
The Japanese Sword, a comprehensive guide
Silver Masras of Mexico
The Japanese Sword, the soul of the Samurai
SILVER
Design Summarize and Bibliography
Metal Work - Japanese Sword
Types of Blade
- Tachi
- Katana (Uchigatana)
Parts of the Blade
- Kissaki
- Yokote
- Shinogi
- Ha
- Hamna
- Bo-shi
- Ji
Types of Blade Cross-Section
- Hira-zukuri
- Kiriha-zukuri
- Shinogi-zukuri
- Kissaki-moroha-zukuri
Types of Curve:
- Koshizori
- Toriizori
- Sakizori
- Uchizori
Types of Blade:
- Iorimune
- Marumune
- Mirsumie
Types of Tang:
- Funagata
- Kijimomo
- Ubu
Types of Butt:
- Iriyamagata
- Kengyo
- Kurijiri
Types of Filemark:
- Kiri
- Katte Sagari
- Sujikai
- Osujikai
Types of Point:
- Ko-kassaki
- Chu-kissaki
- Ikubi-kissaki
Types of grain in the Ji:
- Itame
- Masame
- Mokume
- Ayasugihada
Features of the Boshi:
- Omaru Komaru
- Midarekomi
- Notarekami
- Hikikaku
- Suguha
- Komidate
- Notareba
- Choji
- Gunome
- Gunome Choji
- Toranha
- Sambondugi
- Juzuba
- Hitatsura
Bibliography: Art Deco Sculpture & Metalware
Metalware Art
Gold Smiths' Art
WARRIORS OF THE HIMALAYAS
Greek Gold, from the treasure rooms of the hermitage
Hindu Arms and Rituals, Arms and Armour from India
The Japanese Sword, a comprehensive guide
Silver Masras of Mexico
The Japanese Sword, the soul of the Samurai
SILVER
CONTINUE - Why Animation? (From my own point of view)
1. COLOR: With different color usage, different feeling is conveyed in the story.
2. TEXT: Words create emphasis.
3. PATTERN & TEXTURE: Non-moving pattern clothes and moving character can create a unique looks.
4. SHADOW-ING: Different animation have their own style of "shadow-ing"
5. MATERIALS: All materials around us can be applied onto animation.
6. BACKGROUND AND FOREGROUND: What's the difference? Foreground is usually outline, as well as the things that move.
7. CAN CREATE SUPER UNREALISTIC SCENE/ ACTION: Without thinking about what's possible, unrealistic imaginations are gathered. Being completely unrealistic is better than being helf-unrealistic.
8. MOVEMENT OF CHARACTERS: Actions are shown to be very strong. Part of the body like hair that can't move becomes lively in animation.
9. SOUND: The effect of sound is greater than what you think! Sound is the main difference between animation and canvas art.
10. LINE: Every objects that move contain outline whether the color of the outline isblue, pink,or black.
1. COLOR: With different color usage, different feeling is conveyed in the story.
2. TEXT: Words create emphasis.
3. PATTERN & TEXTURE: Non-moving pattern clothes and moving character can create a unique looks.
4. SHADOW-ING: Different animation have their own style of "shadow-ing"
5. MATERIALS: All materials around us can be applied onto animation.
6. BACKGROUND AND FOREGROUND: What's the difference? Foreground is usually outline, as well as the things that move.
7. CAN CREATE SUPER UNREALISTIC SCENE/ ACTION: Without thinking about what's possible, unrealistic imaginations are gathered. Being completely unrealistic is better than being helf-unrealistic.
8. MOVEMENT OF CHARACTERS: Actions are shown to be very strong. Part of the body like hair that can't move becomes lively in animation.
9. SOUND: The effect of sound is greater than what you think! Sound is the main difference between animation and canvas art.
10. LINE: Every objects that move contain outline whether the color of the outline isblue, pink,or black.
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